the geometry of love (microfiction)

10.11.2025

S: It’s incredible when you think about it, isn’t it? The geometry of love.

A: Does love have a shape? And a geometry? That is news to me.

S: Of course it is. You are not a genius. It is an original thought from me.

A: And what is this original thought, Oh man of prodigious mind?

S: Look at the way in which we connect in love. The approach. That is the shape of love. You hug someone. When you do it, their body has to mirror yours. You open up your arms to approach them and to embrace them. When you kiss someone on the mouth, your lips approach the other in the same way, half open. Your lips mirror each other.

A: And sex?

S: I am not talking about the act and the execution. I am talking about the approach. The approach in sex is to kindle the flame on both sides. So that one flame is as hungry as the other. You look into their eyes. They look into yours. It is done through the look. The words. You say the words of seduction. They say the words of seduction. You stroke the flames. Blow for blow.

A: And then this idea of geometry?

S: Love can be theorised as mirror which reflects another mirror.

A: But then there is nothing. The mirror has no substance.

S: You are wrong. Then there is only light. That is what love is.

A: Does biology agree with you?

S: Let us turn to the act itself, which I did not introduce before. Did you know that the human animal which has procreative sex face to face is unusual in the animal kingdom? And it does so for some reason. Why not so it can see itself reflected in the eyes of its partner? Because that is one aspect of it. The mirror of the self. When you are looking in love into the eyes of the other, is it so you see yourself?

A: Speculation upon speculation.

S: No one understands love. But let us speculate. One day, when we comprehend the mirror neurons in the mind, I will be proven right, just like the Greeks were proven partially right about the atom. Without experiment and through simple observation and speculation.

Krishna and Rama (microfiction)

09.11.2025

S: Krishna and Rama are two incarnations of Vishnu. Both warriors. But they are complete opposites.

A: In what way?

S: Rama rescued his wife from a man that tried to abduct her. Krishna consorted with the wife of another, Radha. He took someone’s wife away from them. Not just one woman, but all of them, all of the wives, the Gopis. Rama followed the law of matrimony. Krishna is above the law.

A: Anything else?

S: Rama, when he was exiled to the forest, accepted that another rule in his place. He let the usurper rule the throne when he was the firstborn son and the throne was his inheritance. Krishna, when he was dispossessed of his throne, he killed the usurper and reclaimed his throne. Rama accepts dispossession and unjust usurpation. Krishna fights against it.

A: I know you will say there is more.

S: Krishna has a good stepmother. Rama has an evil stepmother.

A: Always the mother with you.

S: Krishna was raised in a humble background then became a royal. Vice versa for Rama. And then, Krishna is known as the thief of butter because he stole butter. And Rama? He does not steal. Krishna is his own law. Rama follows the law of the other. Even at the end of the story, Rama sacrifices his wife in the name of the law of matrimony, because the people cannot accept that she is pure because she had been abducted by another man.

A: I think I know where this is all leading.

S: I am named after Krishna.

A: Whether it is Krishna or Rama, they are the hero.

S: Rama is the hero of the conservative. Krishna is the hero of the revolutionary.

A: It is a name. I have told you before. It is not an identity.

S: And yet, you can model yourself on that identity. The anarchism of Krishna. And the liberation of Narsimha, the man-tiger, the other incarnation of Vishnu. After all, one of my names is Tiger.

A: This obsession with names and identities, it is old fashioned.

S: I am six thousand years old. And yet, I am fresh. Because I am not just the past and the present. I am also the future. I believe. So does India.

the tears of the flowers

04.11.2025

Unexpected acceptance can be found within unacceptable expectation.

The day was long. In the garden, the flowers wept. The grass lamented. The sky itself, it was filled with melancholies of grey.

A bird glided into the tree and S. watched her keenly. The birds of Da Vinci flew in his mind, the artist feverishly tracking and recording their movements. Wanting to become the bird.

  1. A. had asked him why he saw poison. Why he thought poison. Why his life had become poison.

What else was there? When all the good things were being churned from the ocean, instead, the god Shiva had swallowed the poison. To prevent the destruction of the universe. His throat became blue with the poison’s anger. And S.? His name was blue. The blue skin of a god.

  1. A. had asked him, how can you become a god? S. had said that in the West, to claim godliness is arrogance and the height of madness. It is folly. But in India, one modelled onself on god. They called the good people gods. It was the aim to become god upon the earth. A god was known by good deeds. The deeds of humanity. And S. tried his utmost.

‘So you are Shiva then?’ A. had asked.

  • S. had said that the hero is formed in adversity. The whole world, including the gods, fate itself, all had to be against the hero. It was only then that the triumph of the hero could be known and recognised. It was only then that the legends of the hero could be told and the songs  could be sung.

Life had to be poison. Otherwise, heroism was dead.

  1. A. had smiled. The Buddha’s smile was known. It was the sign of his wisdom. The smile delighted the hearts of his followers.

the fruition of desire: a philosophy (microfiction)

18.09.2025

Dearest Alfonso,

It was a certain time in the night. The thoughts would come.

But then, the mind rebelled against the absurdity of it all.

After all, what is the fruition of desire? Friction. That’s all it comes down to. Friction. Two bodies colliding against each other randomly, meaninglessly. That’s what we call sex.

It is absurd. However much you love someone, that is the consummation of your love. However much you connect with someone, that is the consummation of your connection.

Your whole adult life as a man you seek out the act. It is the prime motivation in your life. The act sculpts out who you are, who you become, what you want, who you want.

However complicated life becomes, however complicated society becomes, however complicated the brain becomes, at its kernel lies one simple rule: touch.

Beneath everything, in spite of everything, we are bodies. We are absurd. We are meaningless.

They like to talk about civilisation. What is the story of civilisation? Sex.

They like to talk about the arts. What is the story behind the arts, the story of the arts? Sex.

They like to talk about happiness. What is happiness? Sex?

And this act itself? Villified, misunderstood, cheapened, even, foolishly, resisted and deliberately prevented. In a culture of repression the act loses all of its beauty, its joy and its giving of joy, its ultimate significance as freedom and connection. I myself am almost succumbing to the false picture that they paint of sex.

The struggle is to retain a sense of the act’s urgency, its importance in life, the happiness of the act and its role in creating happiness and healing. Against the denigration of the act, against its attempted exclusion, its supposed meaninglessness.

The struggle is to fight against the construction of the act as a giving and a taking of power, as an abuse in and of itself, as not being important in its own right.

The struggle is to see the art as not absurd. As necessary. As light. As guidance. As the realisation of beauty in this world and all worlds. On the walls of the Indian temples are adorned the acts of love, the energy of sex. The power of union, the power of connection. The amalgamation of the divine feminine with the divine masculine. The meaning of being a god or a goddess. Shiva as the lingam. The Mother Goddess as the yoni.

when skin channels skin

when we just are

and stop crying virtue or sin

when the animal regains the flesh

then

then there will be no fear

then will come the freer

then the bodies will truly mesh

Poetically and prosaically, above all philosophically and loverly,

The Tiger.