the warrior of love

05.11.2025

A: You hate this world. You hate the people. You hate everything.

S: So? What have they done for me? Them and anything? They hate me and mine. Ours.

A: But you have the hypocrisy to say that you are full of love.

S: It is not hypocrisy. Why do I serve them then? That is my love. My philosophy is love is work.

A: You have a funny way of expressing love.

S: You want me to lick boots? Kiss arse? I’m not a fucking sycophant. They do wrong. I point it out.

A: That is why you do not get love in return.

S: You do not love to be loved. If you do, then you are not a lover.

A: You are still calling yourself a lover?

S: The warrior fights because he is full of love. The warrior is a lover.

A: Elaborate. It is not convincing.

S: Love is a battle. Of wills and wits. Defence and attack. Only the warrior can love. And only the lover can fight.

A: A cliche.

S: Because it is the truth.

A: You are from the warrior culture. That is what you think of love. You again attempt to speak for all.

S: You want me to endorse and promote the coward’s love? Where there is neither defence and attack? And therefore nothing?

A: You think you are so brave.

S: Yes. That is why, whenever I have felt love for someone, I have acted on it. I have no regrets.

A: Yet you are alone. You do not regret the aborted attempts?

S: If someone does not choose me, they are mistaken. I am the best.

A: You still believe?

S: Who can stand up against me?

A: Arrogance.

S: Confidence. Self-belief. The recognition of talent.

A: What good does it do you?

S: Against everyone, I followed the way of love. Against the family. Against this corrupt world and its corrupt values. I am the only lover in the world. No one else has had to pay the heavy cost that I have had to pay. I gambled my whole heart on my love. I am a hero of love. Because I am a warrior. These cold fucks with their cold love, what are they? What do they risk? Jackshit.

A: The Tiger’s love, reckless.

S: Lose everything in love. Except courage.

emptiness (microfiction)

04.11.2025

[written on the train home from work, 6-7pm)

A: You said that there was nothing. After the jealousy. After the fire. What did you mean?

S: The numbness. The ache of the emptiness. The place that is not filled. The void. The abyss. Many words. For the feeling of hollowness. Of incompleteness.

A: These are words. They do not describe the feeling.

S: You want to know the feeling of emptiness? It is complete numbness. It is nausea. It is the inability to arise from the bed in the mornings. Read the novel by Sartre. That is its literary expression. Why ask me?

A: It is you that is my friend. Not Sartre.

S: You do not want a wise friend? You prefer my company?

A: I prefer the company of The Tiger. He is also wise, the wisdom of nature.

S: It is a dangerous game. The Tiger has teeth.

A: Didn’t you tell me that the Punjabis have a phrase, ‘Friend of friends’? Isn’t that the philosophy of friendship of The Tiger?

S: You are one that appreciates care, attention and consideration and kindness. An anomaly. An exotic rarity.

A: You have many friends. You exaggerate. Perhaps you should keep better company if you feel like that.

S: The special friend I am looking for… Where do you find the better company? I have looked in so many fields. So many that I thought had embraced me only to watch them scatter in the wind…

A: When the kestrel cannot find a catch in one field, he haunts another.

S: The kestrel is free. He does not have a golden manacle upon his claw. He has no ties to a place.

A: You too are free. More free than anyone else. The wild ungovernable beast…

S: It is true what they say. Emotion is a cage.

A: Forget emotion. Become cold and hard like this world.

S: Impossible. They have a phrase in Punjabi, the language and people you are so fond of. ‘Dilwala’, the one with a heart. I am ‘Dilwala’. Not them.

A: Forget being one with a heart. Become one that has power.

S: It is accomplished. The power of The Tiger is unrivalled. He has transformed the world around him wherever he goes. The light that he sheds is like the blinding rays of the sun. And for them and those, it is unbearable.

a bubble of happiness (microfiction)

31.10.2025

A: Halloween comes once again.

S: Every day and night the dead haunt us. What is special about this day?

A: You are haunted. You always speak for everyone. When, in fact, you are different from everyone else. Do you ever feel happiness in your life?

S: I feel happy sometimes. I felt happy yesterday. You know that, naturally, I have a positive disposition. All my friends tell me that I have a positive energy. Unhappiness has been forced upon me. And I only feel the unhappiness most keenly in the night time and in the morning when it is hard to rise.

A: Yes, it is indeed remarkable that despite the amount that you complain, you never actually seem to be that low. Then we have your words in the night, a shocking contrast. Like Jekyll and Hyde. But to the question. How does a jaded and cynical, pessimistic person like you even feel any ounce of happiness?

S: There are people that make you happy. Everything comes from other people. They can make you happy. And then they can hurt you and make you sad.

A: Why talk about sadness?

S: Because that is what gives happiness meaning. Death and sadness, intolerable suffering, this is what gives happiness its meaning. In the old paintings, happiness was depicted as a child playing with a bubble. Happiness is a bubble. It is fragile and delicate. It is a shining orb of light which will only exist for a moment in this hard world. Look carefully at the surface of the bubble of happiness. It shines with light. It has all of the colours within its iridescence. It is beauty. The roundness of the bubble shows its perfection.

A: You can have the bubble forever.

S: The bubble has its enemies. What they should have shown in the old paintings is that the child has to protect his bubble from the world and the others. They are watching it jealously, hoping to prick at it and end its brief soujourn through the world.

A: So that is how you approach happiness? With fear?

S: Not fear. Caution. A warrior does not know fear. Do you know what the hero, my hero, Sunny Deol, the Punjabi Tiger says in the film ‘Jaat’? They ask this warrior who he is. He says that he is one that knows the value of life, but still puts his life in danger. What is most precious is what we risk in this life. That is the warrior culture. The bubble is precious. It is the most precious thing in the world. And we have to protect it. But we also put it at risk. In India, they believe in the evil eye. The eye of envy. It is real. Suffering in this world is created by people. But without risk, there is no meaning. And who am I? The biggest risk taker. The Tiger is known for his daring. Find someone braver. It is impossible. Because Tiger dares his whole heart on the people that he cares about and the things that he loves. Knowing the pain. Find someone else like that in this wretched universe.

sorry (microfiction)

28.10.2025

A: Your anger is too much. You are hurting people. You are saying things just because you are angry.

S: I am an angry person. I’ve always been an angry person.

A: You need to find some other way to get rid of it. You know how much it upsets you when you upset someone. The guilt completely consumes you.

S: Not when I’m angry. But yes, I genuinely feel sorry that I have hurt anyone. I did not mean to do it. I didn’t think it out. I made mistakes.

A: Why not just say sorry?

S: No one ever accepts an apology.

A: Really?

S: Well, a good friend did recently. But usually not.

A: Find some way to control your anger. Then you would not have to say sorry.

S: It seems like every emotion I have, I have to apologise for it. Maybe the best thing would be not to have any emotions at all. Isn’t that the ideal of Hinduism? Emotion is a cloud…

A: Your problem…

S: My problem is that when someone upsets me,maybe I should tell them I am upset with them. And then maybe I would hear sorry instead of having to say it all the time. Maybe I should only talk to people that can communicate directly in words what they are saying too. Because then I don’t have to read their expressions and their minds. Which I can’t do.

A: No one is going to communicate directly to you. They don’t. You can’t do it yourself. That is the problem for everyone.

S: The problem is that I’m sorry. And I can’t say it. And what good would it do? It is another emotion that you cannot express, regret. And then you wonder why I am so angry. It is the one emotion that a man is allowed to express. And even my anger, I am not allowed to express it fully. You see? There is no emotion that you can express. Tell me something, how do you express your anger fully? Surely you would not have me bottle it up inside?

A: Listen…

S: Everyone has moved on in life. The bridges have all been broken. I don’t have any bridges connecting me to anyone any more. Anything I did that hurt anyone, I am sorry for. But what is the point of anything now? The boats have floated away from each other. Some things, I am still not sorry for. Some things I am sorry for. The people that I most wanted to impress, they are disappointed. That is life. And I am not going to offer explanations and excuses. No one listens to them.

A: Has anyone ever said sorry to you?

S: Yes.

A: And what did you do?

S: I accepted their apology.

A: How long ago?

S: Just yesterday. Many times. Certain friends.

A: What do you think of the sorry?

S: If someone feels bad and wants to say sorry for something, I just forgive them. Because they are reaching out to you and they care about you and want to keep things as they’re going. That’s what I see a sorry as.

A: But you realise, for some people, sorry doesn’t mean anything.

S: Maybe nothing means anything in this life. I am going to sleep. One time a Punjabi guest came to the house. And when they left, they said to forgive them if they had committed any mistakes. Maybe that is all you can do in this life, whether the sorry is heard or accepted or not. There is an intention behind a sorry, if you could recognise it.

love cancelled (microfiction)

27.10.2025

S: All that this world does is to cancel love. We are not allowed to love.

A: Anyone? Everyone?

S: Us.

A: I knew you would say that.

S: Why not tell the truth? If we dare to love someone, everyone stands in the way of it. The family. This society. The one that you love themselves. Years even of a lover’s endeavour for a refusal…

A: Forget love. It is a snare. You have done well to escape it. The tragedies of your love only appear to be pitiful.

S: The real snare is loneliness.

A: This love that you wish to end your loneliness, do you really think it will do so? Enjoy freedom.

S: The solitary freedom of a Crusoe. Without a Friday or love in his life.

A: Why has your love been cancelled?

S: Because of my freedom. My heart is too free for this world. The lover’s love is the love of the Revolution.

A: You have said this before. What do you mean by it?

S: The lover does not look at status. The lover does not look at race. The lover does not see another culture and despair. The lover does not follow convention or care about what anyone else thinks about it. He looks into the eyes of the loved one to find unity and connection across status, race and culture. The lover has humanity. The lover has the prize of love. And in this world of hate, separation, the oppression of unjust power and differences, in this world of inhumanity, the lover is the Revolution. Because the lover only loves. That is why his love is the Revolution.

A: You are not the lover. Your loves were all unfulfilled.

S: They could not stomach it. But you know, I am named after the god of love. He that came to all the women at once. The power of love itself.

A: A name is not an identity.

S: I disagree. I am love. The love that goes against the sword.

A: Love itself is a venomous blade.

S: I tell you I drink the poison. And I smack my lips at it.

a duet of love (microfiction)

26.10.2025

Without a fault, that was what this duet of love was. Voice, perfect. Words, beautiful. Music, immaculate.

Then why did the song inspire such sadness?

Melancholy ran through the melody and his mind. In his life, there was no duet of love. In his life there was either a song of yearning and unslakeable thirst or a lamentation of grief. Out of all in the world, there was not one that would make the music with him, share the song.

These Indians, these Hindi speakers, what words of love they would sing. They would promise their life. They would promise their love the stars and the moon with her peerless radiance in the night sky. And his own promises of love? They had never let him fulfil them. Instead, them and their world had stood up against him, threatening to crush him if he expressed what was inside his heart.

But India knew this. He had known it himself. Still he had dared to love. He had had to love stealthily in a world full of hate. Dressed in black in the night, like he was a thief in mourning.

Difference does not find love.

Integrity and love do not hold hands.

For resolution there is no romance.

Desire does not dance.

The classic Hindi song and the classic Hindi film pursue one theme: love in and against a world of hate. This new generation with their inexperience and their betrayals mock the Hindi film and the Hindi songs. The traitors to love scoff at her, pursuing practicality, power and convention.

For those of the old world, for those full of love, loyalty and passion – even obsession – the Hindi love song is the template of ourselves. For our love, we can give our life. For our love, we can give the moon and the stars and the sun. What we cannot give is our honour, our promise. And that is what a world without honour asks for. But honour has been promised to the Mother Goddess. You can’t live without love but you can live without a love duet. It is poison. But we swallow it.

survival (microfiction)

25.10.2025

Yesterday, he had been in a car accident.

An unaccountable crash had deafened everyone on the bus. A moment of shock and surprise. Its origin unclear, a bastard noise.

The explosion had come when he had been getting off at his stop. He had been gloating to himself about how quick his journey from work had been. He had cleared it all in about thirty five minutes. The train had come exactly on time. And then the bus had come exactly on time. It had even stopped raining.

In the first few moments, while the public were immobile and dazed, the duty of a hero called. He was a man of action and a man of quick thoughts. He was the only real man on that bus. Investigation to see if there was anyone that needed help. Instinctively, he had jumped out of the bus and gone round to the back. Without knowing what had happened. It could have been a terrorist with a gun. In the eventuality, it was an expensive white car which had collided with the back of the bus. They were fine. Stupid and incompetent. But fine.

As he had walked home, he had reflected to himself that it is never the ones that are tired of life that die. The ones that are tired of life, they are preserved. Priam in the Trojan war longed for death and it would not come. He had to watch all the ones that he loved die all around him. It could have been so easy, so peaceful. A loud noise and then sleep…

Even the stupidity and ignorance of these people around him, their sheer incompetence, these things could not kill him.

It was just a fact that the hand of the Mother Goddess was upon his head. Nothing could touch him. So many incidents in his life. So many encounters. The blood clot. Assaults. Being mugged. The bombing of London. The sickness. She had given him the strength and endurance to last in this cold and hard world of enemies and suffering. He would always live to fight another day. Whether he wanted to or not.

the children of genius (microfiction)

22.10.2025

S: When you think about it, there are millions of children that I am producing in a day. But none of them ever see the light of day.

A: And? It is the same for every man. You can’t regret potential for not happening. Everyone is full of potential.

S: Are they though? Is talent that common? I doubt it. But the point that I am making is that there are possibly hundreds of geniuses that I could be producing.

A: Here is this claim again. What qualifies you as a genius? Presumably you are saying that you want to pass on your intelligence?

S: Being able to see what no one else can see. I have proved it time and time again. Look at each of my publications. For these famous authors, they have been studied by experts for their whole life. And those experts still can’t see what I am seeing.

A: If you are such a genius, why don’t you have any recognition?

S: Racism. Ignorance. Difference is marginalised in this culture. If you can’t take my word for it, look at the studies that prove it statistically. The intelligensia in this country is one of the most racist in the entire world. Do you know why I was rejected from Cambridge? I passed the interview. It was my brown skin that got in the way. So they pooled me and eventually did not have me. It doesn’t matter what anyone says about it. That is what they are like. Full of racist shit. There is always the reluctance and the excuse. Any excuse. Exclusion on the flimsiest of pretexts. How many of those people they chose over me have published books and articles like I have? Exactly.

A: If you are a genius, don’t you owe it to the world to write?

S: I don’t owe this world of shit anything or anything to anyone.

A: You are squandering your talent.

S: Fuck these people. Let them drown in their ignorance. The gift is too precious to give to them.

A: Yet you told me that you are writing that new book, that colossal and earth-shattering book.

S: I will write it. Because one has been chosen to know all alone of the countless. Because one is a genius. Because a genius is proven by work, not by recognition.

A: If you are this genius, work out a way to pass it on. The waste if you are right…

S: I am working on it. In love, like in work, like in life, genius is not rewarded. Whereas ignorance…

the game of dying (microfiction)

17.10.2025

Life had become a thing with thorns in it for many. A complicated and crushing thing. It was evident that happiness was only for the others. So now, the people did not want to live.

So they would go to the game of dying.

You could die any way that you wanted to. For a moment, you could feel the ease of death. Just for a few pounds. You could escape this thing called life and this trap that was the world.

The game of dying promoted itself as moksha, the Hindu ideal of freedom and departure from the chain of being and constant rebirth.

The downside was that even after dying, you had to go back into the world.

You could choose how you wanted to die. Poisoning. Being stabbed. Burning.

First, I started off by being poisoned. After all, was this world not poison that one had to swallow? It was exceedingly painful. The throat would swell up, there was severe nausea. It was hard to breathe.

My next death was the revolver. I would sit there with it, staring into the barrel of it, completely focused. I would forget about all the many problems and the unfulfilled cravings, of the friends and loves that had betrayed me. Then when I pulled the trigger, the beautiful oblivion…

But now, the death I chose every time was burning. It was the most painful death. Excruciating and unbearable. The most intense death.

They would watch us. The ones that had led us to death, they came in droves to watch us. The ones that had taken all the happiness would watch, eating popcorn, smiling at each other. It was an amusement for them and we were their clowns. They had always watched our suffering and poured petrol upon us while we burned. That was how the world went around.

the maximalist of doing (microfiction)

15.10.2025

He was known for work. But why was he known for work? Why did he work so much?

First of all, there was the empty ache in him. No one had come to fill that space. So he crammed it in with works. Time yawned open unforgivingly. The loss of her and the family that there would have been… There had to be some substitute, some forgetfulness in the work. When he was not working in culture for money, he taught, wrote, photographed, drew, painted, sang and acted. When he worked, he always had the desire to meet someone through that work. He did not. So he kept on looking and looking. So that was why he was the maximalist for doing.

Secondly, there was the relentless energy. No one had come to claim that energy. So he crammed it in with works. And still, despite that, he could never get tired. So that was why he was the maximalist of doing.

Also, the ambition. To be someone. That monstrous ego. To be everywhere, to be god upon this earth. To shape the world in his own imprint. Ambition was a monster that had straddled his back. The self belief: I am one that will live eternally in my name. Not just for himself, for his people this ego, the ego for the Oppressed that had been crushed into the ground for thousands of years. To be their champion, their light and guide.

Then, there was the background. A father who had always been working. A family who had always been working. His working culture background. A family and a culture that always kept busy and productive. That had worked as farmers and shoe makers. A background of hard, labourious work. So that was why he was the maximalist of doing.

And what about the commitment? The desire to change the world. The desire to contribute to society. The desire to be a productive member of this reality. To not just take but to give.

Do not forget the money. To have those savings. To always be ready to provide for a family. Money not for the self but for the family which never came.

And what did he get from the work? Did Sisyphus cry? When you move the rock up the mountain and never succeed, do you cry? Does the maximalist of doing ever cry? He did not cry. He could not. But he wanted to cry. His life was a punishment for some grave sin. He did not have the happiness of undoing, only its tragedy. Because the more he did, the more he was undone.

So that was why he was the maximalist for doing.