Krishna and Rama (microfiction)

09.11.2025

S: Krishna and Rama are two incarnations of Vishnu. Both warriors. But they are complete opposites.

A: In what way?

S: Rama rescued his wife from a man that tried to abduct her. Krishna consorted with the wife of another, Radha. He took someone’s wife away from them. Not just one woman, but all of them, all of the wives, the Gopis. Rama followed the law of matrimony. Krishna is above the law.

A: Anything else?

S: Rama, when he was exiled to the forest, accepted that another rule in his place. He let the usurper rule the throne when he was the firstborn son and the throne was his inheritance. Krishna, when he was dispossessed of his throne, he killed the usurper and reclaimed his throne. Rama accepts dispossession and unjust usurpation. Krishna fights against it.

A: I know you will say there is more.

S: Krishna has a good stepmother. Rama has an evil stepmother.

A: Always the mother with you.

S: Krishna was raised in a humble background then became a royal. Vice versa for Rama. And then, Krishna is known as the thief of butter because he stole butter. And Rama? He does not steal. Krishna is his own law. Rama follows the law of the other. Even at the end of the story, Rama sacrifices his wife in the name of the law of matrimony, because the people cannot accept that she is pure because she had been abducted by another man.

A: I think I know where this is all leading.

S: I am named after Krishna.

A: Whether it is Krishna or Rama, they are the hero.

S: Rama is the hero of the conservative. Krishna is the hero of the revolutionary.

A: It is a name. I have told you before. It is not an identity.

S: And yet, you can model yourself on that identity. The anarchism of Krishna. And the liberation of Narsimha, the man-tiger, the other incarnation of Vishnu. After all, one of my names is Tiger.

A: This obsession with names and identities, it is old fashioned.

S: I am six thousand years old. And yet, I am fresh. Because I am not just the past and the present. I am also the future. I believe. So does India.

the slave (microfiction)

09.11.2025

S: The idea of the slave is what gives us the sense of freedom.

A: How so?

S: We, who are the Revolution, we would do anything so that we do not become the slave. We fight so that we do not become the slave. We who are from the Dalits, ‘The Oppressed’, the low castes, we will no longer be slaves.

A: What is the slave? What are you talking about?

S: The slave is the victim of power and oppression. The slave is governed by the powerful and lives according to the caprices of the powerful. The slave has no independent thoughts or life. The slave models their living on the dictates and wants of the powerful. The slave loves the powerful, is fucked by the powerful. The slave has been raped and seduced by evil. The slave fawns on the powerful. The slave has no integrity. The slave only loves oppressive power and wants to be oppressive power. The slave is weak willed. The slave is the slave to the Other.

A: And freedom?

S: Freedom is freedom from slavery. One who is free governs himself. He lives according to his own desires, his own culture. The rules he accepts, the dharma, his own law. He is the law maker. From his own culture. He decides what he thinks is right himself. Not what someone else is trying to force him to think is right. The free does not want to become oppressive power. He does not listen to the powerful. He is his own man. He lives like a king. The free man hates the powerful. Because their power is based on greed and exploitation, injustice and lies. He is not fucked by the powerful. He is not raped and seduced by the powerful. He is mind. He attacks the powerful. Because the one without power is the most powerful. The one without power is the most free. The free man hates oppressive power and wants to be anything but oppressive power. The free man loves love and justice. The free man is not weak willed. He does not bow down to anyone. He holds his head high. The free man is not the Other. He is himself, authentic. The free man is the Revolution.

A: Who is this free man?

S: You are looking at him. The free man is The Tiger. Across thousands of years, the figure of The Tiger has stood against the imposition of unjust external rule in India. And now, The Tiger stands in every country of the world. The Tiger is self respect, value for his culture, just pride, goodness, dharma (the law), authenticity. It is not a name. It is everything.

The Mask of the Superhero and the Nakedness of Kali

08.03.17

On this International Woman’s Day, I, a bad person, will talk about a woman that has inspired me. To me, she is a fictional woman, although Hindus revere her as a real person. I want to contrast her with the masked superhero. I want to show how she is both more valiant and powerful than the masked superhero. I will first set out my ideas about the mask of the superhero. I will then talk about Kali and her wonderful nakedness. I want to contrast two forms of power. The first power is masculine. In this power, identity is concealed. That is the strength of this power. The second power, that of Kali, is feminine. In this power, identity and the body are apparent. That is the strength of this power.

Let us start with the superhero. The superhero is typically male and typically masked. One notes the pattern not just in comics, but also in the recent superhero films which have been made and which have been popular. Why is the superhero masked? The mask conceals the identity of a man and the concealment of identity protects the superhero. The mask allows the superhero to live a “normal” life outside of the battlefield in incognito. The mask of the superhero is also said to protect his loved ones. The mask is therefore related to the making of the normal and normalcy. The mask is said to protect love and loved ones. It is presented as social rather than anti-social. The mask as seen as necessary in the make-up of society and social organisation. The mask separates the field of action from the field of normalcy.

The mask is also associated with law and the separation of the public sphere and the private sphere. The mask allows the superhero to move out of the identity of a single man and fight for a supposedly abstract and universal justice. The mask and the concealment of identity is the way that the individual man can move out of his own limited perspective and life into a field of battle which is much bigger than himself. The mask allows a man to fight as the champion of justice against injustice and evil.

The mask is therefore crucial to the concealment of identity and the fight for justice. It enables the fight for justice as it conceals identity and only as it conceals identity. It is only then that the hero can become an abstract and supposedly universal figure outside the limitations of what is human. If the mask is a symbol of power, it is of a power which attempts to divest itself of identity. If the power of the mask is associated with anything, it is associated with the justice of the West.

The mask of the superhero can be contrasted with the nakedness of Kali. Kali is the supreme Woman and the supreme Warrior. She is the Mother of the whole Universe and the supreme form of power. She is also the destroyer of evil. She is the protector and the liberator. Kali stands for a justice envisioned as female, not male. Her female body is emphasised, as is her nakedness. As Wikipedia states, Kali “is often shown naked or just wearing a skirt made of human arms and a garland of human heads”. Kali wears no disguise when she steps into battle, nor any armour. She is fearless. She assumes no other identity than her own. Indeed, it is not even possible for Kali to be clothed. As Wikipedia states, “[s]he is often depicted naked which symbolizes her being beyond the covering of Maya since she is pure (nirguna) being-consciousness-bliss and far above prakriti.” The explanation of a Hindu is more telling: “She is shown nude because no finite clothes can cover the infinite” (http://hinduism.stackexchange.com/questions/3412/why-is-goddess-kali-shown-topless).

If the bloodthirsty and invincible Kali is a fighter for justice, then she never stoops to conceal her identity. She betrays no weakness. She does not fear that others will know her or her loved ones. She does not need a mask to give her power. She is power herself. Her power is naked. Her power derives from her femininity and her association with nature. For where the male superhero needs clothes which are produced by humans, Kali stands at one with nature in her nakedness. She is nature herself and the mother of all. She is the supreme power of femininity and the female form.  She is the beauty of the body.

These are the two opposed forms of the fighters for justice. The masked superhero and the naked Kali. The mask of the superhero hides his face, his features, his human expressions and his eyes. He stays in a state of calm repose, as no one can see or feel his emotions. He acts outside of vision and the limits of vision. The nakedness of Kali is an assault on the senses. She is a vision herself. One sees emotion and anger in her face. One feels her through sight as total fury and devastation. As Wikipedia states, “[h]er eyes are described as red with intoxication, and in absolute rage, her hair is shown disheveled, small fangs sometimes protrude out of her mouth, and her tongue is lolling.” Emotion, femininity, animalism, nature. These are all attributes of the vision of Kali. Her body highlights the bodily senses which are attuned to the material world: her eyes which see are red and more evidently visible and her tongue also to be seen, that tongue which tastes food and which is out to taste blood. Kali is beautiful because she is aggression and anger itself. Her hair is disordered and she is outside of any conventional depictions of beauty. Her power is her beauty, the power of fury unleashed.

Such is the mask of the superhero and the nakedness of Kali. This is the character of two fighters for justice. The masked superhero is Western and male. The naked Kali is from an ancient India and she is the supreme embodiment of Woman as the Mother of us all. The masked superhero hides his face and his emotions and expressions. He wears what is really a uniform for one person. Kali wears nothing. She is without shame and supremely confident in herself and her body. The masked superhero has a split personality: the unlimited fighter for a seemingly abstract and universal justice and the limited man. The masked superhero is a recent invention. Kali is beyond splitting. Kali is beyond the contemporary. Kali is beyond the limits of all: she is infinite. She is supreme form. She never dies. She comes in every age. She fights for justice in every historical period. This is why Kali is inspiration and the masked superhero is contemptible.