Escaping the Labyrinth: Equality and Diversity

(Editor Welcome written for an Equality and Diversity newsletter)

An ancient religious and spiritual metaphor, the labyrinth signifies that we are in the midst of confusion. That we have no clear path, no clear destination, that we don’t know where we are going. And therefore, that we do not know who we are. Because without purpose, we cannot find our destiny and identity.

But what is significant is that the labyrinth is an ordered structure. It is just the order of the other. That is why it is confusion. And remember, there is a solution to the labyrinth. There is an escape.

This is why I believe the idea of the labyrinth resonates with the struggle to find true equality and diversity in this world, true unity. Sometimes, we all look at the world around us that has been created by others and ask ourselves, amidst this entanglement and disorientation, can we ever find our way? Against the order of the other, how can we create an order of our own? Can we escape from this order into freedom? It is a daunting task to even begin.

Personally, I always put the example of India before me. And I think of our freedom fighters. These brave men and women were up against the greatest superpower the world had ever known. This superpower was the law. It was the government. It was the country.

But they did not shirk from the colossal challenge that was before them. They knew that they had to carve out their own path in these convoluted bureaucratic and legal structures, their own destination and their own identity from the entanglement that was presented to them.

They did it. India is free. And because she is free, she gives me hope. And I trust that she will also give the world hope. There is a legend around that either Zhou Enlai or Mao Tse-tung replied to a question about the influence of the French Revolution by saying it was too early to say. Whether or not this is true of the French Revolution, it is certainly true of the Indian Revolution. And I look forward to seeing how much of an impact this can make for all of us in this world.

burnt (microfiction)

15.10.2025

Diljale. Which means ‘burnt at heart’. It describes a cynical, distressed or disappointed person.

It was the word that came to mind to him when he passed by the restaurant and looked into the window. There she was. And then, there he was. The two of them. Together. She was smiling and laughing. She was happy.

And he was out alone in the street.

It was cold, dark and windy. Specks of rain flew into his eyes. The beautiful warm light from within was closed off to him and nobody inside was giving him the slightest notice.

This was what it felt like to be a cliche of the pathetic fallacy. He should tell the story to his colleagues in the literature departments. It would be good for a laugh or two.

He had made a desperate effort not to look into the man’s face. Because he did not want to inflict any further traumas upon himself. That was a memory that he would have to return to time and time again. Why did she choose him over me? Why did he have to see them before him?

He walked off. He tried to forget. He tried to ignore the dirty hungry invisible rats that were gnawing away at his insides and eating their way up to his throat and that horrible feeling of nausea.

You are alone. You came into this world alone. You are going to go out of this world alone.

It was not fair. It was not fair that this happiness was their’s for the taking whenever they wanted it. And never his.

Diljale. The burnt heart. It was really going up in flames. A doctor would deny it, but it was burning. He was a corpse on fire. In India, they cremated their dead. He really was dead. He was burning in the rain. The rain could not douse these flames.

What was funny that they criticised him for being cynical and pessimistic. So many disappointments in this life. All he had was disappointment to look in the face.

And what was there to walk towards in the rain? But he would walk in the rain by himself. He would have to keep on going. And he would never be sitting in that restaurant with her. That smile was going to burn in his dreams of terror.

a dream of heartbreak (microfiction)

14.10.2025

The night before, he had watched a play. And unexpectedly within the performance, the players had begun talking about heartbreak. It was a complete departure from what had been taking place and an absolute surprise. It was an outpouring of mourning.

He had watched uncomfortably, trying to forget their words as they spoke. He had thought that he had succeeded. That he had diverted his attention.

In other words, he had fooled himself.

Because in the morning, he woke up from a dream of heartbreak. He could see her face, more clearly than in a photograph, the face in life. Someone was telling a story about her. Her face was sad. They were saying that she was to marry someone else.

The mourning was not over. It had been years and he was still mourning her. She was alive and he was mourning her. It was never going to end.

He could not cry. He could not let it out. So his stomach churned with nausea and his thoughts kept on returning to her. His dreams cried for him.

He wanted to be free of her. He wanted his freedom. If he couldn’t have love, could he at least have freedom? He wanted her out of his mind. That mind was his. If she could not be his, she was not wanted in his mind.

Recently a fantasy had begun to take hold. To drink himself to death. It would be so easy, complete oblivion. Like the Indian film ‘Devdas’. Which was surprising. Because he abhorred drinking. But it was just an alteration of the usual fantasies of extinction aroused by his romantic failure. He was going to be haunted by the ghosts of the living dead forever. And there was never going to be any consolation in his life.

microfiction 1

11.10.2025

An unaccountable loss this, the ability to write purely imaginative work. Reality was pushing its sharp corners into my mind and my body. This life of suffering… How long was it that you could endure suffering for? It had been a sustained assault, a laboured siege, a ravenous feasting upon me that had taken place over years without end…

So what story could I write? That was different from my life? That was not an interminable quest? That was not a tragedy of heartbreak? A lament of loneliness and unbelonging? A fight against all that there was? A doomed resistance of difference in the face of the great evil of the One?

The public wanted a glimmer of light. That glimmer of light gave them hope. That was what sold. An orphan magician that defeats evil. A misfit that finds love. An underdog that achieves some kind of victory, whether real or imaginary. A problem that is resolved. Justice achieved.

Magic. Love. Victory. Justice. Where was any of this in my life? Where were they in my world?

And so, the need for a new story. Fiction is not the unreal. Fiction is not the false. It is an old chestnut that fiction is another reality. Perhaps more real. Perhaps braver than this reality. An alternative imagining of reality.

Perhaps I should imagine myself as a villain. I write myself into my characters. I could pretend to be the villain. But this would serve the false narrative in place. I am not the villain. I am the hero.

I live in the dystopia. What is this world if it is not dystopian? Perhaps I should invent a Utopia. Where talent is rewarded. Where genius is recognised. Where there is true equality, fairness and inclusion. But would the mind of this society and this reality be able to take it? Would they even be able to begin to comprehend it?

Perhaps this is the great barrier. Perhaps this is the cause of my pen’s impotence.

But tomorrow we pick up the pen again. And tomorrow, we imagine a new tomorrow. That is what the artist creates. From the swamp, the lotus is born. And from the breast of the slave and the faithful, there comes the rebel and the freedom fighter. Just like the devil comes out from the mind of god.

other people (microfiction)

07.10.2025

A: Why do you spend so much time expending your bile on other people?

Me: Because they are intolerable.

A: To you perhaps. You are highly strung. Admit it.

Me: Not at all. Do you know, when I came home from work and an evening somewhere, there was just one person in front of me on the street. Just one person. And despite that, this miscreant was walking in a zigzag across the street, in my way everywhere that I turned. They were glued to their smart phone. That is what people are.

A: What do you mean, that’s what people are?

Me: Inconsiderate. Deliberately in your way.

A: How was this person deliberately in your way? They were just going about their business unaware that you were in the background.

Me: Not at all. Anyone could have been trying to walk past them. They acted like the whole street was theirs. They didn’t have one single thought that there might be someone trying to walk past them.

A: The incapability to walk in a straight line is not a personal failing. They must have got out of your way when they realised that you were there.

Me: After getting in my way. The point is that these people will never let anyone past them. Even at their pathetic rate. Even with their meandering nonsense. That is why this world is like it is. These gatekeepers are everywhere. They won’t let you do anything.

A: You have achieved plenty despite them. They couldn’t keep you out of letters.

Me: I did it by myself. By enduring poverty. By having nothing. With no connections. By being a dependent. Despite their racism and prejudice, their hostility. Because of my genius.

A: I am not disagreeing. I know that they are full of hate. But don’t import their gatekeeping into everything.

Me: Why not? It is everywhere.

A: Let us change the topic. What did you do outside of work today?

Me: An acting workshop. Reading a book about reading. Reading The New Scientist. Shopping. Eating sushi for dinner. Contacting friends. Watching videos. Reading the news. I met a new person somewhere outside of work.

A: You meet new people every single day and nothing ever comes of it.

Me: That is London and its racism. That is this country.

A: Once again, we come onto the topic of other people.

Me: All there are are other people to make life sour.

A: What is your concept of other people?

Me: Despite hearing racism all around me, I have always believed we are all one. When you are all one, you are us. However, it has become apparent that they are not us. I live with the they. None of them are us. None of them are me. They are other people. They want to reject us. And because they reject us, they are them and I am me. They are other people.

A: Do you not believe that we are all one?

Me: It is them that have made the division between us. Not me. That is all that they can do. Divide and fragment. They do not know the meaning of harmony and unity. Their unity is to pit themselves against someone like me.

A: The whole world is not against you.

Me: Yes it is. I am what they want to vanquish and to rule. The ungovernable wild beast. The Tiger. But they cannot rule me. Because no one has ever ruled me. I do what I want. I have the resources of a millionaire. I have the brain of a genius. I have the body of a god. I have the energy of the sun. There is one that is born that cannot be caged. There is the bird that flies high in the blue. Freud said that the paranoic is not entirely without suspicion. They would kill freedom. They would kill anarchy. They would kill real independence and freedom and honour. They would kill me. They would kill my mother. They are murderers of thought and difference, of equality and diversity. But you cannot kill Oedipus. However much you try to protect yourself from Oedipus, it is him that will be King and that will have the Queen. You think that you can kill The Tiger. Come at him in a real fight, see what happens to you. You can’t outsmart Tiger. You can’t out talk Tiger. The man with the heart is the one that will always win. Because the man with the heart is the only real man on this earth. Not these little cowards with their lies and the shrivelled things inside their heads that pump their bastard blood through their bodies.

A: You take the idea that you are a god and a hero far too seriously.

Me: If you model yourself on a god you are a god. You have been called a god after the prayer of the people, after the prayer of your mother. They have asked god to come down upon earth to protect the Mother. There is no other aim in my life. Against the Mother, they are all standing. They want to destroy the Mother. They have seduced all into their evil. But the Mother, she is invincible. That is her name, ‘The Invincible’, Durga. Shakti is what they call her, power itself. And she is triumphant because she sits upon the tiger. I am The Tiger. I am her vehicle. She gave birth to me so I would prostrate myself before her and carry her through this world. So I speak the words of The Tiger. I speak the legend of The Tiger. For six thousand years, The Tiger has dwelt in Punjab. Now he is in London. This era will be like every other era. It will be the era of The Tiger. I am the past. I am the present. I am the future. There is only one way. That is the way of The Tiger. The warrior culture. There is an Indian film. I have changed the last line:

Death before dishonour.

Service before Self.

The Mother before everything.

praise (microfiction)

25.09.2025

‘You have perked up,’ commented Alfonso.

‘Over my wounds, he poured his praise. The recognition of my talent. As a writer. As a scholar. As a fighter for justice.’

‘The praise healed you? What is praise?’

‘This praise comes from the wise,’ I said. ‘It comes from those in the same game that I have played. They are masters at the game. They have dedicated their lives to the game. And now, they have themselves called me a master.’

‘What is the subject of this praise?’

‘The book which will proclaim my genius to the world.’ I said. I knew the true value of that book and how it would transform thought. I, the genius, I knew what the gift of my genius would mean. What it would mean for the People. And for the Revolution. Whoever had read it had gasped with admiration. There were four of us that knew the secret workings of this world from me now. The heart of the Revolution.

And this genius had meant a price. A heavy price. I stood completely alone in the world. Because genius stands completely alone. I was not a mortal man. I was not like them. I stood apart. Like a god. It was my destiny. This mind had been forged by six thousand years of India. This thought had been crafted by the ideal of The Tiger. How much had I done to become the one that solved the riddle of the Sphinx? No one else was capable of this ambition, this drive, this persistence, this discipline, this work, this born talent. That was why I was a genius. And they were not.

And what did this genius want? This genius had vowed revenge upon this society. Upon the law of the unjust. In my mind I kept on seeing myself in a boxing match with the law. We would circle each other. And I would sink the fatal blow. In my mind I kept on saying the phrase in Hindi, ‘I will break your face/mouth otherwise my name is not Love.’ [agar mainein tera mooh na todhdeya to mera naam mohabbat nahein hai].

On the walls of my heart, there were the photographs of the freedom fighters. In my dreams, there was the Revolution. And them? On the walls of their hearts were the bastards that had raped and pillaged the world and made it into a hell. Their leaders? Criminals. Nazis. Their love? Injustice. Selfishness and ego were their creed. They were my enemies.

And against my enemies, my millions of enemies, I had my voice. The voice of The Tiger. The roar of The Tiger. I am the Truth. I am Justice. I am god that has been born on the earth to rid it of sin. I am the one that loves Mother India and is beloved by her, the son that protects her honour.

The praise had confirmed the intent. I was going to do what it took to get this book published now. Now was the time to strike the hammer against the iron. The process had already started. The book had been accepted in all but formality.

There was one that stood against all. There was one that never bowed his head to anyone but The Mother. There was one that never fell. There was the one that was born to be the seer and the leader. Once there was one whose ego was invincible, whose stubborness was legendary and who was the ungovernable, wild beast, FREEDOM.

Jai Maa Kaali! Inquilaab zindabaad! Inquilaab saada zindabaad! [Hail the Dark Mother! Long Live the Revolution! May the Revolution Live Forever!]

who are you? (microfiction)

17.09.2025

‘Who are you?’ asked Alfonso.

‘Don’t you tell me that I talk too much about myself?’ I responded.

‘I am inviting you to dwell upon the subject. A straightforward question.’

‘I am a man named after a love story. I am a man named after honour and protection. I am a man named after a god. The god of love. All my names are the names of love.’

‘Even Tiger?’

‘Tiger is ferocious because Tiger has a big heart.’

‘Forget about your names. What are you?’

‘I am The Tiger. I am my enemy’s enemy. They say that you have to fulfil all your relationships in India. I fulfil them. An enemy’s enemy. A hero from the Sikh and Hindu community’s idea of a hero. From India’s idea of a hero. A fighter for the justice of the oppressed. An Untouchable.’

‘And what about the shadow? You are not all light, are you? You love to fight.’

‘What of it? It is for the good.’

‘And this hunger of The Tiger?’

‘Don’t be like them. There is nothing wrong with it. Don’t be deluded into thinking their way. They do not know how to live or love.’

‘You miss out everything. Do you not write? Do you not sing and make music? Do you not act? Do you not read all of the time? Are you not a poet?’

‘You did not ask me what I did. You asked me what I was. Yes, I am creative. Yes I am all those things, writer, poet, singer, music composer, reader.’

‘The sulking? The silence? The anger?’

‘You would want one that has been disappointed and never given his true value or what he should have been given to dance, laugh, clap his hands and cry tears of laughter? I am not a clown for their amusement.’

‘Any other thoughts upon what you are?’

‘Introvert. Extrovert. Sensitive. Callous. Quiet. Loud. Everything and nothing. All of these labels, categories. There is one constant. The Tiger is the warrior and the lover. Honest and loyal to the death. Braver than everyone else. Brimming with fire and heat. The power and energy of India.’

‘Vain. Boastful. Childish.’

‘Innocence is not childish. It is the mark of the brave and the honest.’

Alfonso clapped me on the back. ‘You have not said it all. I know there is more in you. I agree with you. You are a genius and an athlete. I have read your thoughts. You deserve to have whatever you want tossed at you. Remain The Tiger. One day there will be somebody on your level. And on that day, you will be recognised for your reality. They that pretend they do not know? They lie.’

suffering and reading (microfiction)

15.09.2025

‘Instead of suffering, shall we have another topic today?’ Alfonso asked me.

‘Well then, what would you like?’ I responded.

‘Isn’t it more the case of what you think your readers would like?’

‘Is it going to be a question for a question?’

‘Why not?’

‘You would rather have a whole conversation as a question?’

‘Don’t you think it’s possible?’

We both laughed. Fighting and laughing. We did those things the best.

‘So, the topic I will introduce,’ I continued, ‘is reading. When I finished that long trilogy that I was reading, I did not manage to slip into anything else. I made a desultory few pages into a children’s picture book about animal languages. That one is on my library app on my phone. Life is so busy it is hard to read anything.’

‘Didn’t you tell me,’ Alfonso smiled, ‘that there was a certain someone that read everything that you wrote on your blog for two whole years? Every night. Why were they reading and how did they accomplish the feat?’

I ignored the question. I had a theory. But dwelling on such topics was dangerous.

‘I am speaking of myself. I don’t have the requisite tranquillity to read nowadays.’

‘You are lying,’ said Alfonso. ‘How do you get such good marks on your part time university course around work hours? You do seventy or so hours a week on work, maybe even more. And yet you are still doing the reading and getting good grades on it.’

Alfonso was good at cross-examination.

‘I am talking about fiction. Which is supposedly the easiest of reads. But it goes back to the beginning of this conversation.’

‘In what way?’

‘You wanted a different topic from suffering. But suffering is all there is in my life. Reading is a great pleasure to me. It has been since I was a child. I was a precocious reader. Later in adult life, I did an English Literature degree and then a PhD in that subject. To give myself time to read. Yet now? Because I suffer so much, I find it extraordinarily difficult to lose myself in a book.’

‘You blame suffering. Why not blame distractions?’

‘Do you really believe that my attention span has atrophied with these users of their smartphones? I still read more in one day than most people manage in a month. Psychology articles, newspapers, magazines, poems, posts about history, art and culture. I don’t touch the fluff that they degrade their minds with. You are fortunate. You do not suffer. And therefore you read.’

‘Perhaps you should read to escape suffering. To lose yourself in another world.’

‘Before you take a step

Look where your feet are

Before you take a leap

Find what you are anchored to’

‘I make the wish for you to read.’

‘I make the wish to discover life instead. Instead of living as the dead and the dying.’

the hero never wins

07.09.2025

‘I have just finished reading the Divergent books,’ I declared to Alfonso.

We had not spoken for a short while. He was elsewhere, both physically and mentally. Life events cause ruptures. But not separation. That could not happen with me and Alfonso. He was not like these fair weather friends of convenience that were around you all the time. He was as solid as a stone.

‘I am surprised that you read it.’

‘They have told me that I do not understand women of this generation. I make the attempt.’

‘And what did you understand?’

‘The false narrative. That the hero should and must die for love. In fact, the hero has to live for love. That is what I am doing. Living for the ones that I love. Not for myself.’

‘Any other observations?’

‘That you cannot escape your destiny. She was brought up in a culture of self-sacrifice. So was I.’

‘You confuse yourself for a hero. When this society has you as the villain.’

‘Who is there to believe? Them? Or the dreams of my mother and the dreams of the people?’

‘You hate the people. They are disorderly, mean, grasping, selfish, repugnant in every way.’

‘Yes. But that is all the more reason to fight for them. Because they could be good if they were given a chance.’

‘What do you make of the book, this western story about heroism?’

‘It is the same as the Eastern story in the Indian films. The hero never wins. Do you know the basic story of the Indian action film? Someone in the hero’s family is killed. It is the duty of the hero to get revenge. But even when you get your revenge, do you really win? In the film Sholay, when the Thakur kills the enemy, he weeps afterwards. Because the villain killed his whole family. Even the children. The hero can never win. That is this world. Not just fiction. The hero cannot win. The people that win are the monsters.’

‘What monsters? They are human beings.’

‘They are evil. Those bastards like Trump and Farage, the whole lot of them. That bastard Starmer. All these fucking pieces of shit. They are vermin. If I…’

Alfonso stopped me by raising his hand. ‘Don’t. Think it. Don’t say it. That is the policy that you have to adopt with things. Truth is not to be borne here.’

‘I know it,’ I said. ‘I don’t write stories. Because the real story is that only the evil and the mediocre prosper. The fucking sheep. In a story, the good and the best prosper. And it can only happen in the imagination. Because this world is full of shit. It stinks of it. The stink is fucking everywhere.’

‘forgive me for my sins’ (bhool chuk maaf) [microfiction]

27.08.2025

Today, Alfonso had been worried about me. I had ended up in the Accident and Emergency department in the hospital again. I clung to danger. Danger clung to me. Of course, it was the leg. The leg again and again. The scars of love will ache and hurt never goes away. The world did not want me to stand upon my feet. But I stood upon my feet. And I swaggered when I walked. I was Punjabi. I was The Tiger.

It had been touching to see him so worried, with that diamond veneer that he had which was so hard and polished. At times, he could be cruel and dismissive. He had a pretence of insensitivity. But he was like me, sensitive and, ultimately, loyal.

Because it was unclear what the risks were, I had had to cancel my evening plans for working before I had found out. It had turned out to be alright and I had got the all clear. So I had a whole evening free. I had watched the Hindi remake of ‘Groundhog Day’ which was one of my favourite films. Alfonso had asked me to tell him about the film. Who knew India better than me? I was her most loved son. The one that had married her, Mother India. Her son and her most devoted lover.

I wrote:

A common story in India for all, the film is about unemployment. And not only unemployment, but also the unfair demands that the families of women have. Which is that, as a man, you not only have to be working, but that you have to have a top government job to have their daughter. Indirectly, the film is a criticism of the slaves to the state and their corruption, their slavish mentality, their sickening and conformist, selfish and materialistic grasping of the resources of the oppressive, exploitative state and the inhumane bastards that sustain it, those who do not care about preserving life in a world of corruption.

It is not enough that the state steals, pillages, rapes. Worse than that, you have to dedicate your life to its atrocities.

The film explores the nature of altruism, goodness and the preservation of the life force through the lens of the Bhagavad-Gita. The motto that you should do good actions and then not worry about the results or the rewards that you get or the cost that it will take. This is the philosophy of the warrior from thousands of years ago. The philosophy of war. Because Krishna who I am named after persuaded Arjuna to go to war for justice against everyone he knew and loved when he was going to withdraw from the battlefield. And I have been raised on that philosophy and the Mahabharata where those scenes come from. I have been raised in that warrior culture. The film is about us, the warriors.

As I watched the film, I thought about my own youth. I did not want to work in a job where I was making the rich richer. That was not my destiny. I wanted to work in a job where I did service for society. For justice. And so, I could not get married. Because I did not have a high status, high paid job. The unfair demands of other people could not be met.

In the film, the hero is stuck on the day before his wedding. He is stagnating in a life without marriage and love. After all, that is my life. That is the life of the man that does not want to be a slave to the state in a world of slaves to the state, to the rich and the powerful. Instead, this man wishes to be good. To do good things. He wants to be a hero and not a slave.

The woman that he loved, Titli (Butterfly), she spent all of her time arguing with the hero. Her voice was magical. A memory came back to me. But what was she? The one that seduced the man into the evil and oppression of the state. She was a siren.

The story is a comedy. There has to be a happy ending. Yet in real life, if you are not a slave to the state, then you cannot catch the butterfly in your hand. You watch it dancing away in the air, like her, the angel.

However much the warrior craves the sweetness of the siren, however sweet it is to die in beauty, he has to resist. Odysseus was tempted by the siren. He had to impose deafness and silence on his men and get them to tighten his own bonds so that he did not fall into the death in the mouths of the siren. But Odysseus is not Indian. He failed to stop his own ears and accept deafness and silence himself. He is the pawn of the state. When he feigned madness, he was still trapped by the state. He is a slave. Odysseus listens to the song of the siren. He is enamoured by the trap of the state, the trap of the siren. The trap of slavery.

The warrior has to forsake love if love is from the slaves to the state. The warrior has to forsake status if that status comes from the state. In a world of false wars and corruption, the warrior only has one duty. To not only forsake the state, but to destroy the state. Because to do good work, that is the only way. The way of the warrior. When Krishna taught Arjuna in the Gita, it was to go to war against the state, the evil usurpers and oppressors. Arjuna was the son of a god, he was divine. God cannot serve the state, he must be against it. It is our duty to take the power away from the state and to become truly noble, to serve the people and justice. This is warrior culture.

I can live a life in sickness and without love knowing that I am not a slave to the state and knowing that I have not killed my humanity. After all, it is better than the alternative.

In this film, there is the spirit of The Tiger. Of Krishna, the liberator and the revolutionary. I am not alone. India courses through us. I am India. Six thousand years of knowledge and war are in us. We are the Revolution and the days of the state are numbered. The state is a mere blip and dead end in human history.

Inquilaab zindabaad! Inquilaab saada zindabaad! Jai Maa Kaali! Long Live the Revolution! May the Revolution live forever! Hail the Dark Mother!